Lately I’ve been revisiting the myths and legends surrounding King Arthur. I loved them when I was a kid, but I haven’t read them in years. But, at the end of December I started watching BBC’s Merlin, which brought King Arthur, Excalibur, Camelot, and the Knights of the Round Table back to the forefront of my mind.
So far, Merlin has been my favorite adaptation of the myths. So often, characters from legends don’t actually feel like real people. But, in Merlin, every character feels like a human being, not a legend. Merlin is a clumsy servant boy that eventually grows into his role as the greatest sorcerer ever, but along the way he messes up more times than he can count, and all of his actions have consequences. Arthur starts as a spoiled prince that appears to have no redeeming qualities. But, through his friendship with Merlin, we discover that he possesses a heart of gold, and that he puts the lives of his subjects above his own, a quality that makes him a wonderful leader and a great queen. Guinevere, also known as Gwen, is the maid to Lady Morgana, and throughout the series she grows from a quirky serving girl into the queen of Camelot. But, my favorite character by far is Morgana. At first she is the ward of Uther Pendragon who has been having nightmares, but she soon learns that she has magic, which is punishable by death thanks to Uther. This knowledge eventually brings her down the path of darkness and evil. Morgana is my favorite character, because the show portrays her descent into darkness in a way that serves to humanize a character that is usually only portrayed as evil.
Another adaptation that I’ve been reading is Marion Zimmer Bradley’s “The Mists of Avalon,” which is a very different take on the legends from Merlin. “The Mists of Avalon” focuses on the female characters from the stories, and explains their actions and motivations. Again, I find myself drawn to Morgana, known as Morgaine in the novel, but for different reasons. Morgaine’s whole conflict centers around gaining her agency back and finding her own path, after the Lady of the Lake, her aunt and foster mother Viviane, manipulates her into conceiving Mordred with her half-brother Arthur. The novel uses two very different worlds, Avalon, where the women are the ones with power, and Britain, where women have no power, to explore just how much say over their lives that women have. What I find interesting, is that even in Britain, many of the women find a way to retain control of their lives, whether it’s Gwenhwyfar turning Arthur away from Avalon, the priestesses, and the Druid, or Morgause continuing to rule her kingdom after her husband’s death.
These are not the only interpretations of the legends out there, merely the ones I’ve encountered lately, but they still prove an interesting point, that there are many different ways of looking at even the most familiar of stories. If anyone has a particular interpretation that they prefer, I would love to hear about it.